By Any Other Name
by Jodi Picoult
I reached out to my friend Katie looking for a book
recommendation. I told her, “I really need a good one.” She suggested Jodi
Picoult’s by Any Other Name. I decided to listen to it on a drive to a
boat show in Tampa. I’ve been on the fence about audiobooks, but by the end of
this one, I couldn’t resist listening to the Author’s Note. That’s when I
discovered something shocking: Jodi Picoult pronounces her last name “Pico.”
All these years, I had been saying “P-CULT”!
How have you been pronouncing it?
Beyond that revelation, the book introduced me to a
fascinating historical mystery: Did William Shakespeare have multiple
ghostwriters? Did he actually write A
Midsummer Night’s Dream…The Tempest…Twelfth Night or The Two Gentlemen of
Verona? OR…did Emilia Bassano? My entire life I have never questioned it. Why would I?
But now…are you not wondering? Who was William Shakespeare…the actor,
poet, English playwright, and literary icon?
“There was once a girl who became invisible so that her
words might not be.”
By Any Other Name unfolds across two timelines:
Melina in the present and near future (2013–2027), and Emilia in the past
(1581–1645). Though separated by centuries, both narratives explore how little
some aspects of women’s lives have truly changed. How sad.
How depressing. While laws and
social norms have evolved, many aspects of women’s lives…particularly the fight
for respect, recognition, and equality feel like we are still echoing the
limitations experienced in the 16th century.
The idea that someone could have penned Shakespeare’s works isn’t
new, but Picoult does something extraordinary: she gives a voice to Emilia
Bassano Lanier, England’s first known female poet, bringing her largely
forgotten story to life in a beautifully written novel.
The book highlights the struggles women faced in the 1500s…expected
to marry and bear children or be considered nothing if they weren’t of high
class. Emilia, however, is raised to serve in the royal courts as a musician
and becomes a mistress to an older Count. Despite societal constraints, she
continues to write, earning only pennies compared to Shakespeare, but nurturing
her love for poetry and self-expression. Along the way, she experiences a
secret romance that inspired Romeo and Juliet.
Emilia is portrayed as a highly educated, well-traveled
woman with a gift for languages, music, and poetry. Her proximity to the
theater world, including collaborations with Kit Marlowe, positions her
perfectly to contribute to Shakespeare’s works…yet as a woman, she could never
publicly claim her voice.
Fast forward to 2023, we meet Melina Green, a Bard College
graduate and struggling playwright. Picoult brilliantly ties her to Emilia
through an ancestral connection, highlighting how women still face barriers in
the creative world. Melina’s story takes a compelling turn when her play,
inspired by Emilia’s life, is submitted to a festival by her friend without her
consent. Echoing the challenges of her ancestor, Melina must navigate the
consequences of this deception, exploring authorship, recognition, and the
gendered obstacles that persist.
I will admit…I was shocked when I heard them say 2024 and
she was using a man’s name to submit her play.
Haven’t we come further than this?
In today’s society, women can vote, work, and pursue education…yet we
often still encounter barriers. Unequal
pay, underrepresentation in leadership roles, societal judgments on choices
about family and career, harassment and the struggle for autonomy. From experience, I can say women still
struggle to have our voices taken seriously or our contributions valued
equally…but to have to submit work under a man’s name in today’s society…I just
can’t accept that.
While I enjoyed both perspectives, Emilia’s point of view
was more interesting to me. Picoult
draws attention to the severe limitations women faced, and the courage it took
to persist creatively and personally in a male-dominated society.
Equally intriguing are the “what ifs” about Shakespeare’s
legacy. How could one man have written over thirty plays while also acting and
producing? Did he collaborate, buy works, or rely on a group of writers?
Picoult raises these questions thoughtfully, making this book a must-read for
fans of theater, history, and literary mysteries.
“What do you say when you know your words will be your last?
I was here. I mattered.”
This theme resonates strongly: women have always mattered,
and their voices deserve to be heard. Emilia represents the countless women who
endured oppression yet continued to create, love, and survive. I also
appreciated Picoult highlighting the historical “rule of thumb,” a grim
reminder of domestic violence laws that allowed men to beat their wives with
impunity.
As I mentioned earlier, I almost didn’t listen to the
Author’s Note at the end, but it turned out to be my favorite part. It felt
personal, insightful, and a perfect capstone to a novel that weaves together
history, fiction, and the enduring fight for women’s rights and recognition.
Overall, I truly enjoyed this book. I’m fascinated by how
women lived in earlier times…how they persevered, and survived against
incredible odds, and then to be introduced to questions about whether
Shakespeare truly wrote all of his plays added an unexpected twist. I’ll be
honest: I’m not a huge Shakespeare fan but exploring the “what-ifs” of his life
and works in depth gave me a new perspective, even if I remain…gasp, unimpressed.
I guess what stayed with me the most, is the stark reminder
that the challenges women face persists across centuries. The fight for respect, equality, and
recognition is far from over. Societal
change is slow, incomplete, and often frustratingly uneven. Yet, it is in the courage, resilience, and
determination of women, past and present, that hope for change endures.
Each day offers a chance to make a difference. I feel a
personal responsibility to continue to fight…not just for myself, but for my
goddaughter, for my friends’ daughters, and for every woman whose voice has
been silenced or overlooked. The pursuit
of equal rights and a fair, just society is not just a cause; it is a duty, and
one I will never cease to champion.

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